Monthly Archives: July 2009

freak.like.me

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Song of the Day: “Freak Like Me” – Adina Howard

Consider this a continuation of my pro-nails appreciation post. Do you see those things? They’re crazy. The song? Even crazier. If the track came out in the 80′s, she’d be a slut. But, no, it came out in the 90′s, so she was an independent woman. The hypersexual and, at times, aggressive hump-tune features Howard proclaiming her sexual demands with the line: It’s all about the dog in me. Taking charge is one thing, but, whoa – the dog in you? Sounds like beastiality to me. It ain’t no thang, though – the explicit joint grinded harder than other g-funk ladies anthems on the radio in ’95 and paved the way for Kim, Foxy, and Khia after her. Props to the nasally guy counting shit down at the end, too. He gets no credit.

fashion.focus: prince.pauper

IMG_4289_2I’ve been wearing leggings for some time now – I remember the first time I wore them in high school to gasps and hallway awe. It’s 2009 and they’re still an integral part of my wardrobe. Finally, there’s less stigma surrounding men in anything ‘tight’ due largely to the skinny jean trend. In tandem, men’s leggings have garnered attention within fashion circles based upon Givenchy’s recent menswear collections. I see leggings as tight pants fit for both sexes. Many disagree and see them only as undergarments for women, but I find leggings to be an elemental piece of body conscious dressing. Always an extremist; garments are either tight or falling off me. And that’s just how I like ‘em. There are no ‘in-betweens’ – proportions are important in differentiating from the norm and establishing one’s individuality. To think that men haven’t worn anything that close to the body since the 1800′s is stunning. Honestly, what will it take for men to go back to tights a la Robin Hood? The man without fear of shape or size. The man who’s not afraid of skimp or stare. It’s that certain embrace of one’s own that’s so inspiring. Everyone is made to look different and it seems, due to today’s homogenization and singularity in dress, there’s no room to express anything more than what’s emblazoned on a t-shirt.

Identity is something that’s attained. Part present, part past, it is piece-by-piece a tell-tale to one’s experiences and longings, inspirations and limits. For myself, I see leggings as a derivative of my childhood fondness for Dickens and Twain. Their lead male characters always rose from rags to riches in twig-legged bottoms. It’s something that’s stayed with me from the time I played Artful Dodger in Oliver!; the strong-willed little pickpocket with a Cockney accent. From beggars to royals, streets to kingdoms, chicken-legged looks were something they both shared. The most fantastic characters I remember were mini yet magical. The top-heavy silhouettes from Prince and the Pauper have had a lasting impact on my personal style. The story’s also probably the very thing that influenced my love for mixing high and low – think Givenchy (Prince) and disintegrated tee (Pauper). See above and below for le visual hints.

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(Click thumbnails to view full-size.)

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Here’s a lil’ tribute to yesteryear’s pro-nail fads…whether pierced, Guinness Book of World Records length, or manicured to evoke a Hawaiian sunset… they will be missed.
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The true innovator, Coko, of SWV…


Janet in Busta Rhymes’s “What’s It Gonna Be!?” video …
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(Click images to view full-size.)

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Song of the Day, Pt. 1: “Survival In The City” – Sheek Louch (Feat. Jadakiss)

Jadakiss loves The Eagles. He’s rapped atop samples of theirs for years and just recently put a verse on French Montana’s “New York Minute.” My favorite Eagles track of Jada’s is “Survival In The City” with LOX bandmate Sheek Louch. It goes as hard as the original ["In The City"], only with some of the grimiest lyrics out: Mothafuckas will disappear. French’s rhymes sound scrappy (he was signed by Akon..), but the Henley rip is commendable.


Song of the Day, Pt. 2: “New York Minute” – French Montana (Feat. Jadakiss)


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Song of the Day: “In The Air Tonight” – Phil Collins

This is probably one of my favorite songs of all time (ask Jackson). Phil Collins is the man. You gotta give it up. Post-Genesis, the guy pretty much wrote the book on air drums without even reading the manual. “If I got it on tape, I was pretty lucky. I didn’t like manuals, I didn’t really know anything about electronic recording, so if I saw the meter moving, I was happy…‘In the Air Tonight’ was just a drum machine pattern that I took off that CR78 drum machine. You could eliminate certain sounds and program bass drums and snare drums, so I programmed a bass drum part into it, but basically the rest of it was already on there…I got a nice sound on the Prophet 5, which was the sound of ‘In the Air.’” (Phil Collins, Robyn Flans interview, Classic Tracks) Whatever he did worked and still has its place in pop music today, inspiring the moody sounds of producers Kanye West (even though his recreation of Collins’s trademark voco-bratto on 808s & Heartbreaks could cause a tumor) and The-Dream.

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Dior’s Haute Joaillerie department, headed and designed by Victoire de Castellane, has always been extraordinary. I remember just last summer visiting her boutique in Paris only to be floored by her forte for fantasy and fairy tale. Each piece I touched left a lasting impression. Her latest collection, due out this fall, is her most enchanting work to date. Dressing vivid-colored, lifelike stone skulls up in the most extravagant of crown jewels, she’s got a hit on her hands. Literally — they’re rings.

g.is4.gfunk

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As I mentioned before, I’ve always been enamored by pimps and their exuberant, outlandish dress. Their style is as flamboyant in their music as it is in their lifestyles.

Song of the Day, Pt. 1: “G-Funk” – Nate Dogg

213 represent, represent. What put LBC on the map indefinitely was Dre’s employment of Parliament Funkadelic and Zapp and Roger’s bass-ed over grooves, slowing the sample’s tempos down to create what is known today as the G-Funk genre. Unfuckwitable, really – if Dre’s the godfather of G-Funk, then Nate Dogg’s his disciple. Preaching the good word from coast to coast. Introduced to one another through Dre’s cousin Warren G, they began making music together in the early ’90′s, creating such modern classics as “Regulators” and “Let Me Ride.” G-Funk’s signature subwoofer sound is composed of slee-ed P-Funk samples, sleazy synths, creeping basslines, and ostentatious, preacher-pimp vocals. The tunes are hypnotic as they are laughable. Nieces and nephews, I give you some sucka-free summertime G music. Wobble, wobble.

Song of the Day, Pt. 2: “Players Club” – Rappin’ 4-Tay



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Peep an interview I did for the V Man blog, featuring Benjamin Roc of “The Knocks,” by clicking on the image below. . .Picture 139

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Michael Jackson circa 2006
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Givenchy Couture, Fall 2009

I see Riccardo Tisci may have been on more of an MJ kick than previously suggested. The designer not only was tapped to design exclusive costumes for Jackson’s “This Is It” engagement, but his most recent couture show in Paris evoked Jackson’s strangest steez: the male burka.

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Song of the Day: “C’mon Ride It (The Train)” – Quad City DJ’s

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Have a fucking pep rally wit it.

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Picture 132Just recovered from seeing Powder Blue. The straight-to-DVD stripper flick starring Jessica Biel. And all I have to say is: reverse cleavage tribute… You gotta love it. Keep it coming, ladies.

Picture 130Already got an order in for that silk black hoodie.
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Song of the Day: “Loungin’ (Remix)” – LL Cool J (Feat. Total)

Calling all female R&B groups. Where are you? Dream’s Electrik Red ain’t cutting it. And Rich Harrison’s new girl group RichGirl ain’t making the cut, either. Back in the day, Total was the shit. The female trio’s whiny soul was perfect compliment to LL’s crowd-thumping “Loungin.” The Hype-helmed video has them flossing in lime green Dolce & Gabbana, Moschino’n'Donna jeans over dated lava lamp screensaver backdrops. LL is seen riding his bike through a suburb in a matching lime windbreaker before becoming Dustin Hoffman from The Graduate. Before LL became his old self, this here video set things straight. It’s a Queens thing, baby.

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I just got out of seeing Bruno, so this is only appropriate…

Song of the Day: “Cold Hearted Snake” – Paula Abdul

Everybody knows I live for Miss Janet. But, Paula? I know, I know. The bitch taught Jan all her moves, but, at one time, was a name unto her own. She sold out tours, had multi-platinum albums, and put out some pretty decent singles. “Straight Up” is still one of my all-time favorite music videos, even after the fact the woman’s abandoned her music career for a very public, drug-addled fall from fame [American Idol]. Laughter aside; Paula’s “Cold Hearted Snake” is her talent showcase. With its New Jack slap and simulated symphonic backtrack, the song is, without a doubt, her prime state. It proves once and for all, Paula was once a boss. The video’s like a Center Stage audition, highlighting her tried and true backup formations on scaffolds and a greased dance floor before Rent was ever conceived. Her Laker girl take on Fosse’s oversexed exaggerations are still being copied to this day. Reason being, it never gets old and always looks fresh. Released in 1989, the David Fincher directed short film commemorates Abdul’s choreographic genius. Rekkonize!

jackson.debuts

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You’ve seen them and asked about them – and now they’re finally here. Jackson’s line of simple, raw, genderless leather clutches debuted this past Sunday at The Black Buoy presents… MAXANDSUZANNE party in East Hampton, NY. His clutches will be housed there for the remainder of the summer, selling small L-zip clutches and larger varieties entirely made by hand.  Check them out at the MAXANDSUZANNE pop-up shop: 78 Main Street #11, Sag Harbor, NY 11963 in The Hamptons. To order a custom made clutch, email holmlundm@gmail.com for details. More Jackson clutch info coming soon.

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artist spotlite: nicole wray

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Whoaa. Halt. Stop the tape. Rewind. Nicole Wray is about to release what? Her sophomore album this September? No, it can’t be. Miss MJB, jr. has had albums pushed back for the last decade. You probably know her as Missy’s lil’ kiddie-voiced protege from the 90′s. She released her first LP in 1998 and hit it out of the park with her first single, Timbo tune “Make It Hot,” dominating urban airwaves as underdog for the entire summer. The video’s pop-up book set is fantastic! Peep the vid below…

Resorting to dollar bin status, Nicole’s first album didn’t make her a star. The chick’s been putting out mixtapes for years now, trying to get an album release date without success. She even had an album ready for release through Roc-A-Fella that never surfaced. During this hiatus, though, Nicole’s put out some pretty stellar work. Beautiful, concrete, and gutter as fuck – Nicole’s songs could easily be act one to Carmen part deux. Her voice is ragged (much like her idol Ella Fitzgerald’s) and lyrics surprisingly complacent. The track, “Can’t Get Out The Game,” speaks just that. In it, Nicole plays a struggling storyteller, a character she often finds complimentary to her fiery lyric style. Her honest tone makes for some believable anecdotes. The song’s background, made of horns and skittering midnight drums, is one Nicole excels on. Beanie’s guest verse doesn’t sound forced or ill placed, rather playing as an afterthought to Wray’s teary ghetto tale. Stream the deep cut below…

Nicole can pretty much do no wrong when putting down mediocre R&B fluff tracks. Without sounding subdued or muted, Wray gives songs usually thrown to Ashanti or Christina Milian, a new life entirely. With a voice that could blow out a tire, she has the ability to whip boring album-filler tracks back into shape. Giving Keyshia a run for her money, the woman can make any note sound studied. Hear the muffled “Friend” (1) and piano-wound “Stand Up” (2) below…

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“I’ll Take Your Man” is one of my favorite unreleased tracks of hers. Originally for Amerie, the DC joint was much too gangsta for the twiggy songbird. In the song’s first few seconds, Wray’s heard screaming Who the fuck is that bitch? on the other end of a telephone. The Rich Harrison produced firestarter could take on James Brown’s with its driving drumbeat. The soulstress commands the track with a been-there-done-that stuffiness rivaling Bey’s, the difference being that when Wray sings, you must listen.

love.jones

Song of the Day: “Tell Me” – Groove Theory

When I was 8, it was likely this was the slowest song banging from my tape deck. It was either Jock Jams or this. It came on my MTV Party to Go compilation, along with Coolio, R.Kelly, and the rest of the ’95 bunch, and played non-stop for at least a good year. The lead singer’s bohemian coo atop the track’s smooth bassline (similar to the Mary Jane Girls’ “All Night Long”) and tambourine-led tempo makes for the perfect 90′s cool down. The song still bangs.

MH.edits : july.09

Tomorrow it’ll be the blog’s one month anniversary. [Ha] I’m overjoyed with the response. Thanks to everyone who’s spread the word. Keep it up. So much more to come.

For this edition of the monthly series, I give you two curated piles — one’s for July, the other’s a tribute to the King. Click on the images to view them in full size.

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1 YSL vintage suede monk strap shoes
2 Vintage brown felt floppy hat
3 Leyla Bilgi Paris multi-colored ribbon kaftan
4 R.H. Vintage military cotton sateen trousers
5 Vintage estate rings
6 Vintage Native American seed tassel necklace
7 Jackson small french grey calfskin L-zip clutch (pre-order info coming soon)
8 A.P.C. navy espadrilles
9 Vintage Chinese lion peasant shirt
10 Vintage red metal round frame sunglasses
11 Simona Barbieri long white knit linen cardigan
12 Vintage duck rosary necklace
13 Vintage embroidered belt
14 Cotton dreadlock tie-dye tie
15 Vintage Levi’s destroyed cut-off shorts

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1 M.Julian washed electric blue motorcycle jacket
2 Dior Homme mirrored aviators
3 Marc Jacobs red fedora
4 Melissa by Alexandre Herchcovitch black and white rubber spectator shoes
5 Zara dual stud belt
6 Jackson french grey stud bracelet
7 Vintage military medal pin
8 Alexander Wang white burnout pocket tank
9 Vintage mirror ring

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Forever King Front Cover

“MJ Freestyle” – 50 Cent

This record is as street as they come. It’s as scary as it is hilarious. It’s as blasphemous as it is reverent. 50 Cent’s been wack for a good minute and suddenly – boom, crack, Michael dies. He got on the mic mere seconds after hearing the news, recording this desperate freestyle for P.R. kicks. The track is his most recent mixtape Forever King‘s finest. Scratchy and scattered with DJ Whoo Kid shouts and MAC-10 bullets, the beat’s old-school J5 sample helps 50′s antagonist flow sound fresher than usual. Let the mac off / Tear half your back off … what the fuck? There’s even a line in there somewhere about him on meds in juvie. Huh? Maybe the East Coast murder rap all-star has a future as a Michael impersonator. That’s if he cleans up his mouth and starts back on meds. I can only imagine 50 in full Ed Sullivan Show costume, fringed vest and all.

american.dream

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Song of the Day: “Can You Feel It” – The Jacksons

It’s July 4th and I can’t think of anything more American than the Jackson family (given the circumstances). And Al Sharpton was right — “before Obama, before Oprah, there were the Jacksons.” Their talent and drive, triumphs and tragedies, stand as constant reminders that the American Dream is still intact. They’ve epitomized the American family, in all their excesses and eccentricities, flights and failures, for some time now. The video for “Can You Feel It”, directed by Bruce Gowers and Robert Abel, was their last big hurrah as a family band, pre-Billie Jean. Released in 1981 as part of their Triumph album promotion, the video astounded audiences with its tripped-out effects and Mars-like futurism. The song samples Jefferson Airplane’s “White Rabbit” riff and later was sampled for Madonna’s classic “Material Girl.” The video is a testament to the Jackson’s bigger-is-better ways and remains to this day one of the medium’s archetypes.

good.foot

01-4Here are my favorite selections from the A/W ’09 Ready-To-Wear shoe roster…
This season, for me, is all about theatrics… height, challenging proportions, volume… no matter the economic climate.

Above are some Alain Quilici wedge booties that caught my eye. They have a sick glacier pinch that gives them a rock-like effect.
Below are Quilici’s ankle boot versions with the same effect, only in black.

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Above are Donna Karan’s Croc-embossed Hinge Sole Sandals…Amazing.

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I’m a sucker for Christopher Bailey, and this season’s platforms are no exception.

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As I’ve mentioned before, this season’s Nina Ricci’s are out of this world (literally — they won’t be available on our planet for purchase.) ninaricci1

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134mDolce and Gabbana’s wedges were of the best this season had to offer. Schiaparelli, anyone?

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Here’s another incredible wedge. This time, it’s by Margiela and has a realistic plywood look.

Givenchy’s Open-Toe Nappa Lace-Up Boots are so real!!

252mGalliano always does quirky well. Peep the heighty Geisha platform wedges above

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Yes, they’re shoes. Gareth Pugh’s basketweave Sphere booties by Atalanta Weller are unwearabley delicious.

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Proenza’s Leather Stiletto Lace-up Ankle Boots have awe-worthy tapestry details.

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Haider Ackermann’s most recent collection was my ultimate favorite of the season. These sand coloured leather and wood lace-up heels make me drool.
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Acne made some pretty intense wedges this season. These paisley ones are my favorites.

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Rad Hourani’s squaretoed heels are simplified to the extent they could be unisex.

These Louboutin sparkled oxfords are a true testament to Michael’s fashion legacy. Very Astaire.

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Here are the incredible Atalanta Weller Geo-heels that’ll probably end up in the halls of the Cooper-Hewitt.

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Song of the Day: “I Love You Always Forever”- Donna Lewis

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This song was huge. So huge it nearly took #1 from Los Del Rio’s “Macarena” reign in 1996. The Welsh singer only had one American hit. But sample this in a hip-hop song and it could have its second coming. It’s one of those songs you get a kick out of everytime you hear it, but can’t pinpoint the title or artist. Its ticking beat is like running a marathon. And it’s got just enough cheese to keep you full. The video on the other hand, is something Lisa-Marie or Wilson Phillips would do. The shoes on her hands? Come on now… 20 bucks was like 40 in ’96. You can’t tell me you couldn’t have bought something more intriguing.

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It’s been months since Drake dropped his unsigned hypetape So Far Gone. Finally, he’s got a deal with Universal/Young Money (Wayne’s subsidiary) and a video to accompany the big step up. The Kanye-helmed clip is very Debbie Does Dallas. Lots of slo-mo boobie bouncing, innuendo, and hip-hop cameos. Watch out hip-hop, it’s Drake’s turn at last. If you haven’t heard this song every five seconds as it is… pace yourself.

artist spotlite: miguel

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Funky music IS alive. For newbie, Miguel, it’s what he lives for. I hadn’t heard anything inherently funky or eclectic since ’97′s The Velvet Rope (obviously), so, when I flipped on his most recent mixtape [Mischief] to hear some ordinary R&B, I was taken aback – shocked, amazed, short of breath. The kid blends found vocal clips (like vintage ODB croaks) with alienic moans on “All Night Long” to sound like a chemistry project. Hear it here first:

My favorite track of his is “Sure Thing.” With its screwed vocals and flighty falsetto – the kid is on that Prince tip. You could say he’s Purple. It’s from ’07, but still stands as his hottest to date. The lyrics set off the drippy background into territory once explored by D’Angelo and Maxwell before him. While The-Dream goes for Prince’s surefire pop ["Little Red Corvette"], Miguel aptly examines his sweaty soul side ["Diamonds and Pearls"].

“Ooh Ahh” is a Doors-y throwdown, complete with hand claps, mean guitar stabs, and oversexed lyrics. Think Maxwell on a Hendrix fix.

“Strawberry Amazing” is an obvious ode to Paisley Park, Minneapolis, with its glimmering beat, lo-fi groaning, and electric guitar farts a la The Time. Do you see this cane, sugar? Do you see the feather in my hat? The track is pimp grand. His voice is somewhere between Raphael Saadiq, the lead singer of 112 [Slim], and the Purple one… all certified gangsta macks in their own rights. It could easily pass for an unheard Prince b-side, without a doubt. Take a listen: